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Whats My Age Again Film Clip

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1999 single by Blink-182

"What's My Age Over again?"
WhatsMyAgeAgain.jpg
Single by Blink-182
from the album Enema of the Country
Released April 13, 1999
Recorded Jan–March 1999
Genre Pop punk
Length 2:26
Label MCA
Songwriter(s)
  • Marker Hoppus
  • Tom DeLonge
Producer(s) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What's My Age Again?"
(1999) 		"All the Pocket-sized Things"
(2000)

"What's My Age Again?" is a song by American rock band Blink-182. It was released in April 1999 as the atomic number 82 single from the group'south third studio album, Enema of the State (1999), released through MCA Records. "What's My Age Once again?" shares writing credits between the band's guitarist Tom DeLonge and bassist Mark Hoppus, but Hoppus was the primary composer of the song. It was the band'due south first single to feature drummer Travis Barker. A mid-tempo popular punk song, "What'southward My Age Once more?" is memorable for its distinctive, arpeggiated guitar intro.

The vocal lyrically revolves around the onset of age and maturity, and the failure to implement changes in one'south behavior. Hoppus declined to label the song every bit autobiographical, but admitted that he spent his twenties acting immature. The trio recorded the vocal with producer Jerry Finn. It was originally titled "Peter Pan Complex", an allusion to the popular-psychology concept, but the record label institute the reference obscure and adjusted the title. The song's signature music video famously features the band running nude on the streets of Los Angeles. Information technology received heavy rotation on MTV and other music video channels.

It became 1 of the band's best-performing singles, peaking at number two on Billboard 's Modernistic Rock Tracks chart in the U.S. for ten weeks. The song placed at number three in Italy and number 17 in the United Kingdom. Primarily an airplay hit, the vocal was the band's commencement to cross over to pop radio, hit number 58 on the Billboard Hot 100. The song received positive reviews and has been called a classic pop punk runway; NME placed it at number 117 on its list "150 All-time Tracks of the Past 15 Years" in 2012.[1]

Background and writing [edit]

Bassist and vocalist Mark Hoppus initially equanimous the song every bit a joke.

Blink-182, consisting of bassist Marking Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early 1990s, and by the stop of the decade, had reached commercial success with their second anthology, 1997's Dude Ranch. Its pb single, "Dammit (Growing Upward)", became one of the nigh-played U.S. modernistic rock hits of 1998,[2] sending its parent album to a golden certification and bringing the members newfound notoriety and wealth. With his beginning advance from major-label MCA, Hoppus purchased a home in the band's hometown of San Diego, California. Hoppus developed "What's My Age Again?" while sitting on the flooring and playing guitar in his kitchen/living room.[three] He was attempting to play the song "J.A.R." by Green Day, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came up with a new song derived from his failure to perform the part correctly.[4]

Though he initially developed information technology every bit a vulgar joke vocal,[5] he felt it had potential equally a regular tune. Hoppus claims information technology took him five minutes to write. He later on presented the song to the band while rehearsing at DML Studios in Escondido, California, where they had booked time for two weeks to write new songs.[6] Earlier that year, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk act the Aquabats. He and DeLonge plant the composition agreeable and farther developed it in the rehearsal space. The story in the vocal is non strictly autobiographical, but its fundamental theme resonated with Hoppus, who spent his twenties by his own admission "acting like a jackass teenager".[7] Barker agreed, after commenting: "[Marking] was a grown man but kept interim similar a kid."[6] Many Blink songs center on maturity—"more specifically, their lack of it, their attitude toward their lack of information technology, or their eventual wide-eyed exploration of it" according to writer Nitsuh Abebe.[viii]

Composition [edit]

"What's My Age Again?" is credited to Tom DeLonge and Mark Hoppus.[nine] Though Barker helped write the songs on Enema of the Land, merely Hoppus and DeLonge received songwriting credits, as Barker was technically a hired musician, not official ring member.[x] The vocal is 2 minutes and twenty-eight seconds long. The song is composed in the key of F-sharp major and is set in time signature of mutual fourth dimension with a driving tempo of 158 beats per minute. Hoppus' vocal range spans from C3 to F4.[11] It follows a I–V–vi–IV chord progression, mutual across several genres of music. The ring utilize the progression in numerous other singles; music educator and writer Dan Bennett claims the progression is sometimes called the "pop-punk progression" considering of its frequent use in the genre.[12] The song is incredibly cursory compared to well-nigh singles; within one minute, nigh ii full verses and a chorus have been completed, and it in full runs two minutes and twenty-six seconds.[3]

The vocal opens with a catchy, arpeggiated guitar part, following the song'southward chords in playing the root of each chord. The part has been considered catchy to perform; given its quick, articulated nature, it tin can be difficult to skip over the strings properly.[3] Hoppus'south bass line, which has been compared to the Pixies' song "Debaser",[13] situates on the root notes of each chord.[12] The song'southward first verse detail an intimate relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a girl on a weekend date. Upon returning home, foreplay ensues, during which the protagonist begins watching television.[14] This prompts his insulted partner to get out, leading into the song's chorus, in which Hoppus sings that "nobody likes yous when you're 23." Hoppus was 25 when he wrote the song, and only included the lyric to rhyme. The song utilizes power chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[three]

Each chorus is lyrically distinct, which was i of Hoppus's original goals; he felt this arroyo kept the song interesting and advanced the story in a creative manner. Hoppus had once read that "the best art is the evolution of familiarity": an artist introduces an idea, a listener connects with it, and the artist slightly alters the original idea to retain a familiar feeling.[3]

Recording and product [edit]

"What's My Historic period Once again?" was the trio's first single with drummer Travis Barker.

Later farther evolution, the group presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Green Mean solar day's breakthrough album Dookie (1994). Finn was suggested by the label equally an option for producing Enema of the State; the ring got along with him immediately, and continued to work with him on their future projects. Finn would suggest and make adjustments where necessary, though in the instance of "What'southward My Age Again?", he had little notes. By the time Hoppus presented the vocal to his bandmates, the offset verse and chorus were written, with its 2d verse and bridge department needing farther work. Hoppus and DeLonge crafted an instrumental span that went on for eight measures, which all agreed felt too long.[iii] Finn assisted in shortening the section, and the group recorded a demo at DML Studios.

Inside the new year, the group recorded the vocal proper. The drums on Enema of the State were tracked at Mad Hatter Studios in North Hollywood, a space one time owned by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, every bit well as picking compressors and at which rate they would run.[iii] Barker recorded his drum portions, as well as the residue of the album'due south twelve songs, in viii hours.[fifteen] From at that place, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The band brought in session musician Roger Joseph Manning Jr.—best known for his career in the band Jellyfish and piece of work with Beck—to add keyboard parts in the groundwork of the song.[16]

The song originally concluded afterwards its final chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environs, this required the squad to "bounce" the mix from the analog tape recorder (a 24 track 2-inch record) to another tape, and splice the recordings together. With recording complete, the song was sent to engineer Tom Lord-Alge, who mixed the song at his South Beach Studios facility in Miami Embankment, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would work with the group often in the time to come. Lord-Alge added subtle touches, including a panning event for the title phrase in the final chorus.[3]

Release and chart performance [edit]

The song's title originally referenced fictional children's graphic symbol Peter Pan.

The working championship for the vocal was "Peter Pan Complex",[18] referencing the popular psychology concept of an developed who is socially immature. Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the song's lyrics. Previously, the label had appended parentheses to its ii stateside singles from Dude Ranch: "Dammit (Growing Upwardly)" and "Josie (Everything's Gonna Be Fine)". The label was too concerned about litigation from the Walt Disney Company, who held rights to the proper noun post-obit their moving picture adaption.[3] The band disliked the suggestion,[19] just given the creative freedom MCA had afforded them throughout recording, agreed to the modify. Hoppus after conceded the new title made more sense and "feels right".[3] Ring management and label executives saw a strong single in "What's My Historic period Again?" although DeLonge felt otherwise: "I didn't understand it, because up to that point, we hadn't had a big single."[19]

Commercially, "What's My Age Over again?" became one of the ring's best-performing singles. It was picked equally the pb single from Enema of the Country. It was kickoff serviced to radio in April 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the group were finalizing mixing the album when the song debuted.[xx] The song did best on Billboard 'southward Modernistic Stone Tracks chart; the song outset entered the nautical chart during the week of May viii, where information technology debuted at number 21.[21] It first hit the top five during the calendar week of June 5,[22] and hit number ii on July 24,[23] where it remained for ten weeks behind the Red Hot Chili Peppers' "Scar Tissue".[24] The song crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It after peaked at number 58 in the effect dated October 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September eleven.[27] In the United kingdom, the song was released twice, get-go on September 20, 1999, and again on June 26, 2000, following the success of "All the Pocket-size Things.[28] [29] The 2000 re-release peaked at number 17 on the Britain Singles Chart.[30]

Disquisitional reception [edit]

The truth is that information technology was always a picayune strange for grown men to be writing songs well-nigh prom night and other high-school pitfalls, but "What'southward My Age Over again?" works so well considering information technology tackles that strangeness head-on. Aside from featuring Glimmer'due south well-nigh recognizable riff this side of "Dammit", the song is an honest, relatable cess of what information technology feels like to be dragged kicking and screaming into machismo. Information technology's rock and curlicue every bit escape, yeah, but besides every bit a kind of backpedaling. Allow the rock bands of the '70s champion sex and drugs; these guys just want to think what it feels like to be kids once more.

—Collin Brennan, Consequence of Sound [31]

Carrie Bell at Billboard accounted the vocal a "peppy punk canticle"[7] while Spin columnist Jeffery Rotter chosen it an "ideal tonic for back-to-schoolhouse nausea."[32] A Kerrang! writer chosen the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the song as "more mindless, punk-pop guitar thrashing from the world's current favorite American brats ... on the plus side, the vocal — much like Blink-182's career, we hope — simply lasts for ii-and-a-half minutes."[thirty] Stephen Thompson, writing for The A.V. Club, complimented its catchy sensibility, remarking, "you'll never go broke creating an anthem for immature mail service-adolescents, even working inside a well-worn genre."[34]

Later reviews have subsequently been positive. Jon Blisten of Beats Per Minute deemed it one of the tape'due south "finest songs," calling it a "twisted, self-depreciating examination of homo-children."[35] In 2014, Chris Payne of Billboard called it "the quintessential Glimmer manifesto — the story of a twenty-something who still acts like a child."[36] The website Consequence of Sound, in a 2015 top 10 of the band'southward best songs, ranked information technology as number half-dozen, with writer Collin Brennan observing that its championship is "the question underpinning the entire Blink ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude down 3rd Street in Los Angeles.[37]

The music video for "What'south My Age Again?", directed past Marcos Siega, features the band running in the nude through the streets of Los Angeles, every bit well as through commercials and daily news programs.[38] It was filmed shortly later on completing the album, and was co-directed by Brandon PeQueen. Siega and PeQueen developed the thought from the band's onstage antics; Barker would often strip down to his boxers due to heat, while Hoppus would sometimes disrobe entirely, with only his bass guitar covering his genitals.[39] Siega had known the band for many years at that point, having seen them play pocket-size clubs years before.[forty] He partially credited the idea to a tardily-night talk show segment about a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less so. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. But non in an aggro way. They ever came across to me as doing it with a flash," Siega later recalled.[16]

The group wore mankind-colored Speedos for most scenes.[41] The clip features a cameo advent by porn star Janine Lindemulder, the model featured on the embrace of Enema of the State.[42] Barker remembered that motorists "kept staring at united states and honking their horns," and that the entire filming took nearly xv hours. "They near got into accidents," Hoppus told Rolling Stone.[43]

Popularity [edit]

The video first began receiving airplay in early May 1999, debuting on U.S. television channels MTV, MTV2 and The Box.[44] The video was MTV's second-almost played video for the week ending August 1,[45] and remained a pop video on the aqueduct for over two years.[46] The video was nominated for All-time Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Learn to Fly".[48] The band referenced the clip at the 1999 Billboard Awards, which opened with a clip of the band streaking through Las Vegas,[49] as well equally through appearances on Total Asking Live and the scripted sitcom Two Guys, a Girl and a Pizza Place.[fifty] Entertainment Weekly writer Chris Willman called the video "ubiquitous".[14]

Marcos Siega, the video's director, in 2014.

The video gave the band a reputation for nudity,[38] leading many critics to pigeonhole them as a joke act.[14] "It became something of an albatross as band members grew up," wrote Richard Harrington of The Washington Post.[50] "You know, when we were filming the video for "What's My Historic period Again?" the whole naked thing was just funny for like 10 minutes. And then, I was the guy standing naked on the side of the street Los Angeles with cars driving past me giving me the finger and shit. It's funny watching the video now, but at the fourth dimension, it stopped beingness funny x minutes in, and it definitely wasn't funny iii days into it," recalled Tom DeLonge.[38]

This reputation would lead the band members to take control of their marketing and image, as DeLonge later on commented in 2014:

We were so naïve that we would run around naked, but they'd make it all glossy and put it on posters and make it look similar we really were some kind of erotic male child ring or some shit. We were coming from the punk scene, merely the characterization fashioned a whole thing around united states that we didn't even sympathize; we were merely kinda defenseless up in information technology. And so it took us a little bit to dig out of that and come back to who we really were. And information technology'southward hard to do that once people spend millions of dollars making you lot into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Once again?" has endured equally among the band'southward most pop songs, and has widely been considered a watershed moment for pop punk as a genre. Several of the group's contemporaries ranked the song among the most genre's most influential, including Jack Barakat of All Time Low, Pierre Bouvier and Chuck Comeau from Simple Plan, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 's Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink's irreverent, upbeat have on punk rock with hits like "What'due south My Age Again?" and "All the Small Things" was hugely influential."[53] Xx years afterwards the song's release, Hoppus noted that fans oftentimes decorate altogether cakes on their 23rd birthday with the lyric "Nobody likes you lot when you're 23", which he felt was an accolade.[3] The band subsequently paid homage to the song's infamous video in the music video for their 2016 unmarried "She's Out of Her Mind". The clip sees modern-twenty-four hours social media personalities running in the nude in Los Angeles. Lindemulder's place in the video was taken by role player and comedian Adam DeVine.[54]

The Hollywood Reporter 'due south Mischa Pearlman, in a review a 2013 concert by the group, wrote that the song "visibly infects every member of the audience. Because it's a song that recalls the reckless carelessness of youth, and the abandon of growing up."[55] Although the magazine gave the song a scathing review upon its initial release,[30] NME placed information technology at number 117 on its listing "150 Best Tracks of the By fifteen Years" nearly 13 years later, writing, "Few songs capture the urge of wanting to act stupid and be immature as well as this 2000 single does. [...] This is everything pop punk does well. Its guitar riffs seem to take been soaked in Relentless and its chorus makes y'all want to jump effectually the room. It's been imitated thousands of times since, simply nothing's come close to this..."[56]

Past the late 2000s, club promoters in the U.K. created nights based around lasting appreciation of the pop punk genre, including 1 named after "What's My Age Once again?", described every bit a night celebrating "pop-punk, youthful abandon and teenage anarchism".[57] British radio station BBC Radio i accept a department on one of their shows named after the single and using information technology as the theme vocal. Greg James originated the game on his drivetime show, and has moved it to The BBC Radio 1 Breakfast Bear witness. The game sees Greg pitted against an opponent, typically a fellow Radio 1 DJ/presenter or celebrity guest. In the game, three listeners telephone in and talk to the competitors, who take it in turns to ask questions, then attempt to judge the listeners' historic period.

On March 26, 2019, the vocal was lauded by Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics by saying, "information technology'south very much this portrait of this kind of 23 year quondam... Peter Pan complex", noting his enjoyment of the structure of the vocal, besides every bit its tone. Mackey stated, "later the second chorus there's this instrumental interruption. And there's a lot of instrumental breaks in blink, which I really like. This one in particular, it goes to a minor key. All of a sudden, it's kind of melancholy. And when they come out of that instrumental pause, and I hear the rest of the words, it'southward sort of like... I feel like, wow, was that a moment of reflection? And then information technology'south similar, 'Ah, fuck information technology. Whatever.' Information technology has that feeling. It sort of deepens it for me."[59]

Mashup [edit]

"What's My Historic period Again? / A Milli"
Unmarried by Blink-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Pop punk
  • rap rock
Length 2:25
Label Columbia
Songwriter(s)
  • Marking Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What's My Age Once more? / A Milli"
(2019) 		"I Actually Wish I Hated You"
(2019)
Lil Wayne singles chronology
"Be Like Me"
(2019) 		"What's My Historic period Again? / A Milli"
(2019)

In May 2019, the band recorded a live mashup of the song with hip hop artist Lil Wayne, to promote their articulation headlining bout.[sixty] The track combines "What's My Historic period Again? and Wayne's 2008 single "A Milli". The duo subsequently released a joint digital unmarried featuring a studio version of the mashup in Baronial of that year.[61] The rails features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A press release promoted the new version, which was released to promote the 2d leg of the same bout, every bit a "new have on the rails."[62]

The Fader contributor Jordan Darville noted that Wayne altered a lyric from his original poesy, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adjusted from the liner notes of Enema of the State.[9]
Locations

  • Recorded at Signature Sound, Studio Westward, San Diego California; Mad Hatter Studios, The Bomb Mill, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adapted from the YouTube video for "What's My Historic period Once more?" / "A Milli". Barker is credited with songwriting on this edition, as opposed to his original credits for Enema of the State.[64]
Personnel

Glimmer-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Production

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 All-time Tracks Of The Past xv Years". Nme.Com. Retrieved January 12, 2012.
  2. ^ "The Twelvemonth in Music 1998: Hot Mod Rock Tracks" (PDF). Billboard. December 26, 1998. p. YE-84.
  3. ^ a b c d e f grand h i j k DeMakes, Chris (Oct 19, 2020). Chris DeMakes a Podcast. Ep. 21: Marker Hoppus discusses blink-182'due south "What's My Age Again?". Spotify.
  4. ^ Aniftos, Rania (October ten, 2020). "Blink-182's Mark Hoppus Reveals the Green Day Song That Inspired 'What'southward My Age Again?'". Billboard . Retrieved November two, 2020.
  5. ^ "Blink-182: Inside Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bong, Carrie (Baronial xiv, 1999). "The Modernistic Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June 1, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Education". New York. Archived from the original on September 6, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. United States: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Blink-182 What's My Age Once again? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved April twenty, 2011.
  12. ^ a b Bennett, Dan (2008). The Total Rock Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Club: Revisiting Blink-182′s 'Enema of the State'". Wondering Audio. October 14, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Sensation". Entertainment Weekly. New York City: Time Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January vii, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Grow Up, Blow Up: The Rise of Glimmer-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (Apr 1, 2000). "Tom Lord-Alge: From Manson To Hanson". Audio on Audio.
  18. ^ Hoppus, Mark (2000). Blink-182: The Mark Tom and Travis Show 2000 Official Program. MCA Records. p. xiv.
  19. ^ a b Browne, Nichola (November twenty, 2005). "Punk Rock! Nudity! Filthy Sex! Tom DeLonge Looks Back On Blink-182's Greatest Moments". Kerrang!. London: Bauer Media Group (1083). ISSN 0262-6624.
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  26. ^ "Billboard Hot 100 - October 23, 1999". Billboard. Vol. 112, no. 29. October 23, 1999. p. 79. Retrieved June one, 2014.
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  28. ^ "New Releases – For Week Starting xx September, 1999: Singles". Music Week. September 18, 1999. p. 27.
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  30. ^ a b c Shooman 2010, p. 69.
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  32. ^ Rotter, Jeffery (November 1999). Naughty by Nature. Spin. Retrieved September 7, 2012.
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  34. ^ Thompson, Stephen (June 1, 1999). "Review: Enema of the State". The A.Five. Club. Archived from the original on October 22, 2012. Retrieved July 18, 2012.
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  37. ^ Spud, Desiree (June xix, 2019). "Blink-182 Reacts to Their Best 'Enema of the State' Videos 20 Years Later (Exclusive)". ETOnline.com . Retrieved July 31, 2019.
  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March 5, 2015.
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  49. ^ Shooman 2010, p. 71.
  50. ^ a b Richard Harrington (June 11, 2004). "Seriously, Blink-182 Is Growing Up". The Washington Postal service . Retrieved February 25, 2014.
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  52. ^ Kaplan, Ilana (November 20, 2020). "ten Pop-Punk Artists On The Genre's Essential Tracks". Nylon . Retrieved October 22, 2021.
  53. ^ Frehsée, Nicole (March v, 2009). "Popular-Punk Kings Glimmer-182: Reunited and Ready to Party Like It's 1999" (PDF). Rolling Stone. New York City: Wenner Media LLC (1073): 20. ISSN 0035-791X. Archived from the original (PDF) on Oct 13, 2013. Retrieved January xi, 2013.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Adulterous Decease, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-five.
  • Hoppus, Anne (October 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-iv.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Render. Independent Music Press. ISBN978-1-906191-ten-8.

External links [edit]

  • Music video on YouTube

giddingsdigetund66.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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